In:
Extra features
long term use
easy to use
clarity
long distance
long last memory
Thanks for the help=)
Nikon D90 DX 12.3MP Digital SLR Camera with 18-105mm f/3.5-5.6G ED AF-S VR DX Nikkor Zoom Lens
@12.3-megapixel DX-format CMOS imaging sensor
@5.8x AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR lens included
@D-Movie Mode; Cinematic 24fps HD with sound
@3-inch super-density 920,000-dot color LCD monitor
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Do people prefer B&W or Color Wedding Photographs? If B&W, are thy good enough from Digital Photographers?
I am doing some research about Black and White Photography, and thought this is a good place to start. I have been under the impression that today digital wedding photographers really do not pay as much attention to final product, and instead give their customer photographs straight from their camera, and let the customer do with the photographs whatever they choose. Do you other people think the same way?
I am doing research for a new article which I will be publishing on wiki.worldonpaper.com
Thanks All.
Hi,
As a digital photographer myself, personally, the final product is everything to me. Each image is proof of what I can give to a potential client. I get work mainly from word of mouth and every photograph I take is individual and special, just like the client.
When I have shot the wedding, I sort through the images to ensure only the best ones are presented as proofs to the client. They will then look through the images to choose which ones they would like to keep. I give suggestions as to which would look better in B&W based on my experience as a photographer.
B&W can look very 'arty' if the right images are used. Obviosly any images that have a lot of colour, ie flowers, cake etc would be better in colour and as a general rule, scenes with a lot of detail look better in B&W as colour can sometimes be distracting.
I do know of photographers than run a system where the client chooses the images and then simply prints them or worse still, just gives the images on CD/DVD and the clients has to print them themselves, but professionals will take time to retouch images so they look the best they can for years to come. After all, once the cake has been eaten, the suits returned and the honeymoon is over, the photographs will the lasting memory of the couples special day.
How to Do Lighting for Your Photography Studio at Home
Many people avoid photography as a hobby because they are concerned about its cost, although it doesn’t necessarily have to be expensive. That is why this article focuses on how to do lighting for your home photography studio cheaply and quickly. We’ll create a studio that doesn’t require any external fancy lighting, strobes, or those expensive soft boxes. If you just want to experiment with some still life photography, or even if you need to take some shots for your business, this article is perfect for you.
Of course, this will not give you professional quality pictures, but it will provide you with a good alternative to start exploring studio-like pictures. You can still get good background for your pictures, pictures with little shadows, and good, even light.
The simple studio we’ll construct utilizes a huge, inexpensive soft box and a seamless backdrop. You will need to collect the following materials:
A sunny day and a shady location (a porch will do)
A wall/table/chair/fence
A few inches of Duct tape (or just any tape)
A thick, A0 sized, sheet of paper (you can use polypropylene sheets because they are more durable and can be cleaned )
First, find a nice, shaded place on a clear, sunny day. Your porch is a good spot, and so is your back yard. Second, you will need a wall, or a chair or anything you can lean your professional backdrop (A.K.A. piece of paper) against. Third, tape the paper to the wall, table, chair, or fence and fasten it to the ground. And, voila! Your seamless backdrop is installed. All you need is a model.
Try varying the pictures by using several sheets of paper and polypropylene, each with a different color. This will give you instant multi-color backdrops.
Do some other experimenting with your still life studio. Now that you know how to do cheap lighting for your home photography studio, you can feel free to try different things and keep learning.
About the Author
Alain Baltazar’s pastime includes various aspects of photography, including basic techniques to more advanced studio management software.
Various Equipment Pieces Used in Professional Photography
Any one who is involved in photography can tell you that working with professional photography equipment, shopping around for, and buying it really does turn out to be half of the fun involved in practicing photography. On top of this truth, possessing the correct photographic equipment for the task is critical for performing it right. This article discusses the various elements of professional photography equipment, including camera equipment and lighting equipment.
Apple Boxes
Apple boxes are found in every film studio and lot in the world. These can be utilized in myriads of various ways. When you are working with filming a person, they may be employed to effectively raise up a shorter individual. With several of them, you are able to boost the height of a table or a desk. Since they come in different heights, you may employ several arrangements of boxes in order to precisely reach the desired height.
C-Stands and C-Stand Accessories
This stands for Century C Stands. Their capability of being put together literally right next to each other is maybe their greatest benefit that they offer over competing forms of light stands. The height of every leg is different, permitting a photographer to align the stands next to each other by putting the leg of one stand beneath the leg of the next one.
The C-stands' arms are ideal for keeping differing C-stand accessories, such as light controls in the air including scrims, flags, reflectors, clamps, mirrors, etc. You are even able to arrange lights on these light stands. Such C-stands are available in varying sizes with differing features offered.
Light Meters
These have mostly become obsolete with the advance to digital filmmaking. But in the so-called golden days of filming, when films were shot using real film that was expensive to buy and to develop, light meters were essential. They saved the photographer both money and time. The majority of photographers would employ them to take light meter readings in order to know what the lighting exposure would look like when the film was developed. This avoided under or over-exposed filming of movies. But in today's technologically advanced age, all that you have to do when using the digital technology cameras is to press the button and you have instantaneous, free, test shots (you do not even require a Polaroid camera for test shooting anymore.). If your exposure turns out to be off, then you just take another picture. It your light is too little or too much, you simply adjust it. Very few professional photographers utilize light meters any longer.
Strobe Light Sources
The majority of photographers at some point utilize electronic strobe lighting equipment, also known as photographic electronic flash. Numerous competing brands and kinds of flash and strobe lighting equipment are available.
These include bare bulbs, which are strobe heads that do not contain a reflector; small reflectors, which offer wide or narrow sprays of lighting; large reflectors, useful for bouncing light off of ceilings or into walls; grid spots, which are used to keep light from spreading out; light boxes, which are used to precisely focus where a light source will shine; Freznells, which are very large and heavy lights that double as adjustable types of spot lights; optical spots, which are more or less a slide projector and a flash tube lying behind it; and ring lights, which are flash heads formed much like a donut that permit you to shoot film through the hole to achieve a nearly perfect light fill.
