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The Panasonic Lumix Dmc-fz18 Digital Camera Features and Information
The obvious attraction of the Panasonic DMC FZ18 is its 18x optical zoom lens. This is one of the first digital cameras to increase the lens length on a consumer digital camera beyond 12 xs. The lens is supported by image stabilization to help cut down on any camera shake caused by the added weight of the lens. The DMC FZ18 also hosts a number of manual controls and settings and is based on the lines of a digital SLR camera. In fact it is one of the most feature packed cameras you can buy. It has 8 megapixels.
The FZ18 is the successor to the FZ8. The biggest change in the guts of the camera is the more powerful zoom lens. The FZ8 had a 12x optical zoom and the FZ18 gets an 18x optical zoom. Besides that, there is a small resolution bump to 8 megapixels from 7.1 megapixels, and the 2.5 inch LCD is of higher resolution on the FZ18. Software-wise, Panasonic has introduced their Intelligent Auto mode on the FZ18, which essentially bundles face recognition, continuous AF, Intelligent ISO control, and image stabilization on one easy to use auto mode.
Panasonic has been a key player in the super-zoom field since the launch of its impressive Leica-lenses Lumix DMC-FZ1 back in 2002, and has maintained this position with a series of well-received models in the same series. Today I'm taking a look at the latest in the line, the FZ18, which offers a tempting specification for anyone with £300 to spend. It has an 8.1 megapixel CCD, 2.5in 230k LCD monitor, RAW mode shooting and a massive 18x Leica zoom lens with optical image stabilization and a 28-504mm equivalent focal length range.
The Panasonic Lumix DMC-FZ18 is shaped like an SLR, but is more compact. The hand grip is coated with textured rubber that almost feels silky. At the top of the rubber panel is a shallow divot wide enough for the index finger to comfortably wrap around the front of the camera. At the tip of the hand grip, the zoom ring that surrounds the shutter button is visible. To the right of the shutter release and protruding portion of the hand grip is a small Panasonic DMC-FZ18 label.
The back of the FZ18 also looks very similar to the FZ8. Both cameras have a 2.5-inch LCD screen on the left that is on a platform that is raised from the body by a few millimeters. To the right of the LCD is about 1.5 inches of space occupied by the same buttons as the FZ8. To the upper right of the LCD is a tiny joystick. The left side looks identical to the FZ8 with the exception of the lens’ specs of course. The older model has a 12x optical zoom lens and the Panasonic FZ18 has an 18x optical zoom lens, although the cameras are about the same size.
The right side of the camera looks familiar. It is also nearly identical to the FZ8. The only difference is the addition of a thumb grip on the back of the camera that is visible on this side of the FZ18. In front of that thumb grip is a chrome eyelet for the neck strap, and the rubber hand grip surface in front of that. Two chrome neck strap eyelets flank the top of the Panasonic Lumix DMC-FZ18, which is oddly shaped. The lens barrel looks enormous when viewed from above. The flash component sits atop it. The viewfinder juts out from the flash component. Directly right of the viewfinder is the round mode dial. It has many more positions than the FZ8 including custom and several scene modes. The bottom of the camera is quite thick. There is a metal tripod socket that is slightly off-center of the lens, which could make it tough to mount. Below the hand grip is a plastic friction grip door that covers the battery and memory card slots
Features:-
* 18x optical zoom (28-504mm equiv.) - FZ8 has 12x (36-432mm) zoom
* Smaller maximum aperture at long end of zoom (F4.2 vs F3.1)
* 8.3 megapixel sensor (vs 7.2 megapixel)
* Face Detection
* Intelligent Auto mode
* Manually selectable ISO 1600
* ISO 6400 High Sensitivity mode
* AF/AE lock button and dedicated AF/MF button
* 1cm macro (was 5cm)
* Custom mode and extra scene modes (plus 'advanced scene modes')
* Five level Noise reduction (was three level)
* Slower continuous shooting (burst)
* Heavier and slightly larger
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Information About Samsung Sgh-g800 Review
Slide the lid section upwards and the flat number pad is revealed. This is large, and easy enough to use. Opened, the phone is a generous 135mm tall. Closed, it is 101.5mm tall and either way it's 52mm wide. As for thickness, Samsung lists that at 18.8mm, but that doesn't include the back-mounted camera lens cover which protrudes from the main body of the phone. Include the cover and by my reckoning the G800 measures in at a substantial 22mm thick. Weight-wise you are looking at 129g.
It might be big and heavy, but the design is stylish with a brushed metal finish. The front of the handset is dominated by 2.4-inch 262K colour 320 x 240 pixel QVGA display that is crisp and clear with a d-pad and call buttons situated at the bottom underneath this.
Samsung has already hit the five-megapixel cameraphone mark in Europe with its stylish G600 - reviewed here. The G600 squeezed its camera into a standard frame, but the G800 has been built from the ground up with the camera as the key element of the phone. That said, it’s also equipped with the latest 3G HSDPA connectivity, meaning maximum download and surfing speeds of up to 7.2Mb/s if your mobile network operator supports it.
Design
For a company that's renowned for making slim phones such as the U700, the G800 is far from ultra thin. It's about the same size as the Nokia N95 and weighs a not-so-pocket-friendly 129g. Looking past its chunkiness, this is an attractive handset with a glossy finish similar to the LG Shine and a reassuring solid casing made up of metal and plastic.
While the bulk-factor hasn’t stopped the N95 hitting the bestseller list, the G800 doesn’t have quite the same heavyweight specs – such as built-in GPS and dedicated music controls - even if it does have that optical zoom edge.
Features
In terms of features, the Samsung G800 really takes Samsung's camera phone portfolio to a new level. Combining a 5-megapixel sensor, Xenon flash, autofocus, LED focus-assist light, 3x optical (inner) zoom, image stabilization (digital) and red-eye reduction, it's impressively close on paper to a standalone digital camera.
The design combines the looks of a sharp mobile and a digital camera. It has a large 2.4in, 320 x 240, 262,144-colour display up front with a black and chrome surrounding, while the back sports a smart brushed metal-style finish on plastic…Making calls, the G800 put in a commendably fine, consistent performance, with clear, top-class sound quality at both ends throughout calls
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